1. The introduction of a fictional landscape
How to bring up the curtain on a narrative setting. Two classic passages:
- The first chapter of Hardy's The Return of the Native
- The opening of EM Forster's A Passage To India
- The opening of EM Forster's A Passage To India
2. Narrative economy
How to get a story going and introduce your protagonists with maximum speed and efficiency, while developing the plot and establishing character and motivation:
- The opening chapter of Fitzgerald's The Last Tycoon
- The opening pages of DH Lawrence's Women in Love
- The first two pages of Hunter S Thompson's Fear and Loathing in Las Vegas.
- The opening pages of DH Lawrence's Women in Love
- The first two pages of Hunter S Thompson's Fear and Loathing in Las Vegas.
3. The joy of dialogue
How to convey character and situation in fictional speech:
- Almost any passage from Beckett's Waiting for Godot
- Elizabeth Taylor's Mrs Palfrey at the Claremont
- Elizabeth Taylor's Mrs Palfrey at the Claremont
4. The magic of tone
How to make your voice heard on the page, to mesmerise the reader:
- Lorrie Moore's story "Vissi D'arte" (actually, almost anything by Lorrie Moore illustrates this)
- JD Salinger's The Catcher in the Rye
- Herman Melville's "Bartleby, the Scrivener"
- JD Salinger's The Catcher in the Rye
- Herman Melville's "Bartleby, the Scrivener"
5. Pace
How to get started, at top speed:
6. Impact
How to grab the reader's attention and hold it by the scruff of the neck:
- Graham Greene's "The Destructors"
- Norman Mailer's The Executioner's Song
- Cormac McCarthy's All the Pretty Horses
- Norman Mailer's The Executioner's Song
- Cormac McCarthy's All the Pretty Horses
7. The only rule is that there are no rules
How to defy gravity in prose and still come out a winner:
From the Guardian
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